@eva the thing bout vampires kiss (or any art) is there is no right or wrong interpretation! yours is right for you i like to leave it open and unknown!
@Lady Arwen, that is one point of the film where i stopped laughing completely..then when he put the gun in his mouth...it feels uncomfortable to find that funny but on some levels in later viewings maybe it is purely because of Nic's expressionistic style...
In terms of the rape (and I'm glad it isn't shown, which I can imagine might have been considered) Peter's knowledge of the act is very confusing because he explicitly threatens her, but then during the act we see his vampire mistress... from my reading, it's a defense mechanism that kicks in so that Peter doesn't have to think about the monstrous thing he is doing.
interesting point about us becoming complicit Sprocket had not thought of that..now that explains the guilt i slightly feel ofr finding some things that are obvously dark, funny
I couldn`t watch that scene. I had to look away. Allthough there wasn`t real bullets in it, and he didn`t know that, it was really an extreme scene at that point.
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"When you think about magic, it is imagination plus willpower focused in such a way that you can create a conscious effect in the material world..."
interesting point about us becoming complicit Sprocket had not thought of that..now that explains the guilt i slightly feel ofr finding some things that are obvously dark, funny
It's because we experience confusion and madness along Peter and we tend to become vested with our protagonist, especially if they're charismatic. I totally find myself feeling a little guilty too that some of those scenes with Alva continue to be funny... not as bad as with A Clockwork Orange though!
@Powermad from the dvd commentary i think Robert bierman the director wanted to show a family representative of New York at the time, and it was like a naturalism compared to peter loew's expresionism!
talking of New york the city featured very much in the movie! some beautiful cinematography!
interesting point about us becoming complicit Sprocket had not thought of that..now that explains the guilt i slightly feel ofr finding some things that are obvously dark, funny
It's because we experience confusion and madness along Peter and we tend to become vested with our protagonist, especially if they're charismatic. I totally find myself feeling a little guilty too that some of those scenes with Alva continue to be funny... not as bad as with A Clockwork Orange though!
yes, i actually find myself separating out entirely from the actions of the protagonist in A Clockwork orange, i am outside looking on, i dont feel the same sympathy at all, maybe because i don't feel the same level of humour also..
@Lula that's confirm the idea of the importance of family, in opposition with Peter who seems alone and die alone, with any family support. Meanwhile Ava is saved by her brother.
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"I'd like to apologize to you gentlemen for referring to you all as homosexuals. You taught me a valuable lesson in life" - Sailor Ripley
@Lula that's confirm the idea of the importance of family, in opposition with Peter who seems alone and die alone, with any family support. Meanwhile Ava is saved by her brother.
ooh yes, good point Powermad, i had not thought of this contast, he is completely alone, only his therapist to talk to!
He is a very sad guy, with a big loss of value. But in being lost, he "spit" some reality of how hard can be being alone in the world (or at least to have this feeling).
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"I'd like to apologize to you gentlemen for referring to you all as homosexuals. You taught me a valuable lesson in life" - Sailor Ripley